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Linkin Park: Unshatter Review: Grief, Guilt, and a Band’s Long Road Back
Band documentaries usually play it safe. A few candid moments, a lot of concert footage, and just enough conflict to…
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Princess Mononoke Review: Miyazaki’s Masterpiece Belongs Back on the Big Screen
Some films get called masterpieces so often the word stops meaning anything. Princess Mononoke is one of the rare ones…
1 day ago
Forgotten Island Review: A Colorful, Big-Hearted Ode to Friendship
There’s a very specific kind of dread that comes with graduating high school next to your best friend, knowing your…
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Victorian Psycho Review: Maika Monroe Is Deliciously Unhinged
“I’m the sanest person I know.” That’s the first thing Winifred Notty tells us in Victorian Psycho, moments before arriving…
3 days ago
The Incomer Review: A Scottish Island Comedy With Real Heart
Some islands don’t want to be found. In The Incomer, siblings Isla and Sandy have spent their whole adult lives…
3 days ago
The Stunt Driver Movie Review: Jay Baruchel Goes Full Mad Canadian
Don’t call him a daredevil. Ken Carter hated that word. He was a stunt driver, thank you very much, and…
4 days ago
Pulp: What Do You Do for an Encore? Review: A Love Letter From Sheffield’s Finest
Every band that reunites eventually has to answer an awkward question: why now? Pulp answers it before the opening credits…
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Primetime Review: Robert Pattinson Is Chillingly Good as Chris Hansen
If you were anywhere near a television in the mid-2000s, you knew the line before the man even finished it.…


































